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MAIN
MISSION
THE TEAM
RESEARCH AREAS
IMPROVISATION & COMPOSITION
THEORIES OF IMPROVISATION
ANALYSIS & TRANSCRIPTION
TEACHING MUSIC IMPRO
PERFORMANCE PRACTICES & IMPROVISATION
RESEARCH OUTPUTS
01 BORDERSCAPE IMPROVISATIONS: FROM ANALOG MUSIC TO LIVE CODING
02 COLLECTIVE IMPROVISATION AND INSTANT COMPOSITION: 1960-2000
03 EXTEMPORIZATION, IMPROVISATION, COMPOSITION IN JAZZ
04 IMPROVISATION AND SUBJECTIVITY
05 MUSICKING ON EARLY KEYBOARDS: AN EMBODIED APPROACH
06 PIANO IMPROVISATION IN THE 18TH AND EARLY 19TH CENTURY
07 THE INTERACTIVE MUSE: PIANO IMPROVISATION IN THE 19TH CENTURY
08 THE RHYTHMIC BODY: IMPROVISATION IN THEATRE AND DANCE
WORKSHOPS
WS BORDERSCAPE IMPROVISATION: FROM ANALOG MUSIC TO LIVE CODING
WS THE INTERACTIVE MUSE. Piano Improvisation in the 19th Century
WS MUSICKING ON EARLY KEY KEYBOARDS
WS THE RHYTHMIC BODY: THEATRICAL IMPROVISATION WORKSHOP
WS PIANO IMPROVISATION IN THE 19TH CENTURY CALL
WS EXTEMPORISATION, IMPROVISATION AND COMPOSITION IN JAZZ
WS COLLECTIVE IMPROVISATION
WS PIANO IMPROVISATION
MAIN
MISSION
THE TEAM
RESEARCH AREAS
IMPROVISATION & COMPOSITION
THEORIES OF IMPROVISATION
ANALYSIS & TRANSCRIPTION
TEACHING MUSIC IMPRO
PERFORMANCE PRACTICES & IMPROVISATION
RESEARCH OUTPUTS
01 BORDERSCAPE IMPROVISATIONS: FROM ANALOG MUSIC TO LIVE CODING
02 COLLECTIVE IMPROVISATION AND INSTANT COMPOSITION: 1960-2000
03 EXTEMPORIZATION, IMPROVISATION, COMPOSITION IN JAZZ
04 IMPROVISATION AND SUBJECTIVITY
05 MUSICKING ON EARLY KEYBOARDS: AN EMBODIED APPROACH
06 PIANO IMPROVISATION IN THE 18TH AND EARLY 19TH CENTURY
07 THE INTERACTIVE MUSE: PIANO IMPROVISATION IN THE 19TH CENTURY
08 THE RHYTHMIC BODY: IMPROVISATION IN THEATRE AND DANCE
WORKSHOPS
WS BORDERSCAPE IMPROVISATION: FROM ANALOG MUSIC TO LIVE CODING
WS THE INTERACTIVE MUSE. Piano Improvisation in the 19th Century
WS MUSICKING ON EARLY KEY KEYBOARDS
WS THE RHYTHMIC BODY: THEATRICAL IMPROVISATION WORKSHOP
WS PIANO IMPROVISATION IN THE 19TH CENTURY CALL
WS EXTEMPORISATION, IMPROVISATION AND COMPOSITION IN JAZZ
WS COLLECTIVE IMPROVISATION
WS PIANO IMPROVISATION
RESEARCH OUTPUTS
01 BORDERSCAPE IMPROVISATIONS: FROM ANALOG MUSIC TO LIVE CODING
02 COLLECTIVE IMPROVISATION AND INSTANT COMPOSITION: 1960-2000
03 EXTEMPORIZATION, IMPROVISATION, COMPOSITION IN JAZZ
04 IMPROVISATION AND SUBJECTIVITY
05 MUSICKING ON EARLY KEYBOARDS: AN EMBODIED APPROACH
06 PIANO IMPROVISATION IN THE 18TH AND EARLY 19TH CENTURY
07 THE INTERACTIVE MUSE: PIANO IMPROVISATION IN THE 19TH CENTURY
08 THE RHYTHMIC BODY: IMPROVISATION IN THEATRE AND DANCE
