BORDERSCAPE IMPROVISATIONS: FROM ANALOG MUSIC TO LIVE CODING
The workshop is articulated as a journey in several stages (September 2024 - March 2025)
MUSICKING ON EARLY KEYBOARDS: AN EMBODIED APPROACH – MANTUA JUNE 13 – 15, 2024 – WORKSHOP FOR ADVANCED IMPROVISERS
Musicology and Cultural Heritage Department, Pavia University Cremona Basilica Palatina di Santa Barbara, Mantua June 13-15, 2024
Open_Air_Konzert_in_Wuppertal_(Laurentiusplatz),_1970-er_Jahre_003,_small
Workshop on Creative Improvisation and Instant Composition: 1960-2023
CALL AND APPLICATION FOR SCHOLARSHIPS
The workshop is addressed to musicians with experience in the field of collective improvisation. The afternoon sessions – led by Alvin Curran, Joëlle Léandre and Eddie Prévost – are devoted to instrumental practice, real-time-composing and deep listening.
Immagine Workshop Improvvisazione
Results of the selection for the Scholarships for the Workshop on Piano Improvisation
We are pleased to announce the results for the selection of scholarships, valid for board and lodging expenses, for the workshop to be held next 13-14-15 April at the Conservatorio di Musica “Morlacchi” in Perugia, Italy.
Immagine Workshop Improvvisazione
March 11, 2023 is the deadline for the Workshop on Piano Improvisation
The University of Rome "Tor Vergata" and the Conservatory "F. Morlacchi" in Perugia are organizing an international workshop on piano improvisation in the 18th and early 19th centuries from April 13 to April 15, 2023 in Perugia, Italy. T
Immagine Workshop Improvvisazione
Workshop on Piano improvisation
in the 18th and early 19th Centuries
The University of Rome "Tor Vergata" and the Conservatory "F. Morlacchi" in Perugia are organizing an international workshop on piano improvisation in the 18th and early 19th centuries from April 13 to April 15, 2023 in Perugia, Italy. The workshop is part of a research project on historical improvisation, with the participation of several universities and the Conservatory "G. Morlacchi" in Perugia. The workshop is open to pianists, fortepianists, musicians, musicologists, students, and researchers interested in historic improvisation at the keyboard.