Extemporisation, Improvisation and Composition in Jazz: Analysing Enrico Pieranunzi’s European Trio
The workshop is aimed at scholars and musicians who are experts in the field of real-time creative and improvisational processes.
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The workshop is aimed at scholars and musicians who are experts in the field of real-time creative and improvisational processes.
The workshop is addressed to musicians with experience in the field of collective improvisation. The afternoon sessions – led by Alvin Curran, Joëlle Léandre and Eddie Prévost – are devoted to instrumental practice, real-time-composing and deep listening.
The workshop is addressed to musicians with experience in the field of collective improvisation. The afternoon sessions – led by Alvin Curran, Joëlle Léandre and Eddie Prévost – are devoted to instrumental practice, real-time-composing and deep listening.
26 maggio 2023Aula magna del Dipartimento di Musicologia e Beni Culturali CremonaPalazzo Raimondi, Corso Garibaldi, 17826100 Cremona INGRESSO LIBERO Ore 10.00 - Gianmario Borio (Università di Pavia)IntroduzioneOre 10.30 - Michela…
We are pleased to announce the results for the selection of scholarships, valid for board and lodging expenses, for the workshop to be held next 13-14-15 April at the Conservatorio di Musica “Morlacchi” in Perugia, Italy.
The University of Rome "Tor Vergata" and the Conservatory "F. Morlacchi" in Perugia are organizing an international workshop on piano improvisation in the 18th and early 19th centuries from April 13 to April 15, 2023 in Perugia, Italy. T
The University of Rome "Tor Vergata" and the Conservatory "F. Morlacchi" in Perugia are organizing an international workshop on piano improvisation in the 18th and early 19th centuries from April 13 to April 15, 2023 in Perugia, Italy. The workshop is part of a research project on historical improvisation, with the participation of several universities and the Conservatory "G. Morlacchi" in Perugia. The workshop is open to pianists, fortepianists, musicians, musicologists, students, and researchers interested in historic improvisation at the keyboard.